![]() Between Starling's youthful, fairly wholesome energy and some of the grottier intentions of the cut-scene direction, you get an uncomfortable blend of elements that comes off, well, a little like cheerleading can when it's out of the sports stadium and splashed across the internet.Ī mini-game might see you hopping on heads or playing Pac-Man inside a giant vector arena. That doesn't really counter the perviness, though, and for much of the running time the script seems peculiarly at odds with the sweaty visual presentation. It's true that most of the men you come across are pathetic freaks, and everyone else is a zombie waiting to be chainsawed into pieces. It's a bit annoying, then, that the game's always trying to disappear up her skirt or down her top, that other characters can't stop calling her a whore, and that the camera lingers and ogles whenever it gets a chance. What's more, Starling gets a thoughtful characterisation than goes beyond what most heroines could hope for. In a weird sort of way - even though it's set knee-sock-deep in rotting gristle and twinkling multiplier scores - it's a far more convincing depiction of a relationship than you expect from a video game. Meanwhile, Nick is both a straight man to Juliet and the stand-in for the befuddled audience: Zombie farmers? Zombie quarterbacks? What's happened to San Romero? Riddled with convincing quirks and warm humour, she's also surrounded by a supermodel rockabilly family that's every bit as engagingly nutty. Juliet is smart, breezy and confident, yet quietly prudish with it on occasion. It's the script that provides most of the real charm, however, drawing its lovesick leads with surprising bite, and offering everyone a selection of decent lines as the adventure rattles along. A little light cel-shading and handfuls of quirky, colourful effects do much to disguise the cheapness of the production. In its corner-cutting and jerry-rigging, it feels like a true punk aesthetic. Visually, Lollipop Chainsaw is appealingly ropey, with blurry, fairly simplistic assets, naff physics, and only Starling's astonishing animation standing out as she dispatches ghouls with star-jumps and spinning head-stand kicks. The couple - Juliet keeps Nick's head on a keychain tagged to her belt - bicker and flirt while she hands out gas-powered justice with a tree surgeon's favourite accessory, and he gets dropped onto headless zombies for the occasional rhythm action mini-game, or swings by in special attacks. With the undead spilling into town in unprecedented numbers, the stage is set for a weirdly romantic action game. The set-up is pure Buffy, as Juliet Starling admits to her - sadly decapitated - boyfriend Nick that she's a secret zombie slayer as well as a star cheerleader. We gave the original 2012 game 3 out of 5 stars in the GamesRadar+ Lollipop Chainsaw review, saying that despite the inherent joy of chainsawing zombies and its inventively funny script and soundtrack, the hack-and-slasher lacked variety, was too short on content, and wasn't good enough to "support its pedigree".ĭig into our list of the best action games to get your thrills.It's typical Suda 51 stuff: a muddle of pop culture nods, scattershot puns and antic gore. ![]() ![]() Gunn said on Twitter last year that neither he nor Suda are involved with the new version, adding that "I neither endorse nor condemn it! I simply don’t know anything about it." The remake is going forward without two of the key creative forces behind the original game: filmmaker James Gunn and game designer Goichi 'Suda51' Suda. However, we were unfortunately unable to include 16 of the licensed songs, which were a great part of the original game's feel, and so we are instead aiming for a remake that is as close as possible to a remaster." "Of course, the ideal thing to do would be to make a remastered version of the original game, changing nothing. "The primary goal of the Lollipop Chainsaw remake project is to make it so that players who wish to play Lollipop Chainsaw can do so easily, not to make a new Lollipop Chainsaw game," producer Yoshimi Yasuda said at the time.
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